Bach Bibliography
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
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1. The Bach Reader. 1945 474p
2. The New Bach Reader. A Life of Johann Sebastian Bach in Letters and Documents. 1998 liv, 511p
3. Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 14. Kantaten zum 2. und 3. Pfingsttag. Kritischer Bericht. NBA 1 14 1963 236p
4. Kantaten zum 2. und 3. Pfingsttag / Johann Sebastian Bach. NBA 1 14 1962 xii (6p facs), 165p
5. A Brief Note on Triple Proportion in Schuetz. MQ 46 1 Jan 1960 67-70
6. A Note on Proportional Relationships in Bach Tempi. MTimes 100 1402 Dec 1959 683-685
7. Bach Nendaigaku no Atarashii Seika. BachSosho 1 1976 303-336
8. Bach Tempi: A Rebuttal. MTimes 101 1406 Apr 1960 251
9. Bach versus The Bible: A Letter from Professor Arthur Mendel. AmerChoralReview 4 3 Apr 1962 12-13
10. Bach versus THE BIBLE. A Letter from Professor Arthur Mendel. MTimes 102 1421 Jul 1961 423-424
11. Documentary evidence concerning the aria 'Ich folge dir gleichfalls' from Bach's St. John Passion'. ColMSymposium 5 Fall 1965 63-67
12. Evidence and Explanation. [cr]NewYork1961 2 1962 3-18
13. Johannes-Passion. BWV 245 / Johann Sebastian Bach. NBA 2 4 1973 xiii (6 facs), 265p
14. Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 4. Johannes-Passion. Kritischer Bericht. NBA 2 4 1974 356p
15. Meliora ac melioranda in the two versions of BWV 245/1. BachSt 5 1975 113-121
16. More for the Bach reader. MQ 36 4 Oct 1950 485-510
17. More on the Weimar Origin of Bach's 'O Mensch, bewein' (BWV 244/35). JAMSoc 17 2 Summer 1964 203-206
18. Neue Ergebnisse in der Chronologie Bachscher Werke. WegeDerF 170 1970 353-383
19. On the Keyboard accompaniments to Bach's Leipzig Church music. MQ 36 3 Jul 1950 339-362
20. On the Pitches in Use in Bach's Time. MQ 41 3, 4 Jul; Oct 1955 332-334; 466-480
21. Persönliches zur Geschichte der jüngeren Bach-Forschung. BachJb 64 1978 245-250
22. Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship'). [ce]BaroqueComposers 2011 139-147
23. Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship') Bach 20 3 Fall 1989 6-14
24. Pitch in the sixteenth and early seventeenth centuries. MQ 34 1, 2, 3, 4 Jan, Apr, Jul, Oct 1948 28-45; 199-221; 336-357; 575-593
25. Pitch in Western Music since 1500. A Re-Examination. ActaMcol 50 1-2 Jan-Dec 1978 1-93, 328 (postscript)
26. Princeton Bach Concordance. Vol.I/II. 1979 1576p
27. Problems in the Performance of Bach's Choral Music. BulAMSoc 7 Oct 1943 2-3
28. Recent Developments in Bach Chronology. MQ 46 3 Jul 1960 283-300
29. The Bach Festival. TheNation 132 3439 3 Jun 1931 618
30. The Passion according to St. John. / J. S. Bach. Vocal score. 1951 xlv, 241p
31. Traces of the pre-history of Bach's St. John and St. Matthew Passions. [fs]Deutsch80 1963 31-48
32. Traces of the pre-history of Bach's St. John and St. Matthew Passions. [ce]BaroqueComposers 2011 277-294
33. Traces of the pre-history of Bach's St. John and St. Matthew Passions. GarlandLibHistWestM 8 1985 171-188
34. Transcribing Bach. TheNation 131 3415 17 Dec 1930 684, 686
35. Walter Emery. MTimes 116 1583 Jan 1975 40
36. Wasserzeichen in den Originalstimmen der Johannes-Passion Johann Sebastian Bachs. Mf 19 3 Jul-Sep 1966 291-294
37. Assumptions underlying the new Bach chronology. [cr]NewYork1961 2 1962 130-131

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